The film feels, in many ways, very minimalist. Almost every shot is static, and by and large, they are at the eye level of a person sat on the floor in the traditional Japanese manner. The scenes are, in general, not overly emotional in the way that I would expect of a film with these films. Everything is understated - the interactions between the characters are not necessarily out of the ordinary, but the generational rift in the family is apparent anyway. Between the scenes of family life, there are beautiful shots of Japan - city scenes, trains, and countryside.
All in all, this is a film that can only be described as beautiful. It is heart warming and heart breaking in equal measure in its quietness.